Hyper Frontality
The conceptual approach to visual presentation in the panoramic imagery relies on a frontal perspective. Figures are staged to face directly toward the viewer, emphasizing a schematic composition that requires no lateral movement. The artwork projects the style of architectural drawing, resembling a sketch devoid of perspective or side views, achieving a complete and direct visual form. With an operating photographic technique the object opens up in its ideal frontal view as well as recedes from the abstracted background.
